Directed by Agnès Varda | 2008. She explores her memory using photographs, film clips, home movies, contemporary interviews, and set pieces she designs to capture a feeling, a time, or a frame. Memory, she says, is like a swarm of confused flies. The Beaches of Agnès offers a remarkable glimpse of the history Varda lived through, spanning World War II, the Cuban Revolution, and the rise of the feminist movement in France; and it’s equally meditative on the films and art that spoke to her throughout her life. The Beaches of Agnes Trailer. THE BEACHES OF AGNES. Through flashbacks and interviews, we see the events that led to her inevitable death. Agnes Varda’s personal doc finds her looking back on her incredible life, sharing memories from childhood and recalling her relationship with her late husband. How do people grow old, how does loss stay with them, can they remain creative, and what do they remember? The Beaches of Agnès. A reflection on art, life and the movies, The Beaches of Agnes is a magnificent film from the great Agnes Varda, director of The Gleaners and I and Cleo from 5 to 7, a richly cinematic self portrait that touches on everything from the feminist movement and the Black Panthers to the films of husband Jacques Demy ( The Umbrellas of Cherbourg) and the birth of the French New Wave. When she has actual photos and file footage from the past, she is quick to use them, but when she doesn't, she turns to present-day re-creations to fill in the gaps. The film is an autobiographical essay where Varda revisits places from her past, reminisces about life and celebrates her 80th birthday on camera. Please join us for FREE a virtual film screening and live discussion of the film The Beaches of Agnes (2008), with the Rockhurst University department of Modern Languages and hosted by Robert Vigliotti, Ph.D., Rockhurst University associate professor of philosophy. Directed by Agnès Varda • 2008 • France. ... Agnès Varda reviews Most popular. Want to share IMDb's rating on your own site? Agnès Varda’s film is as insistently wry as it is haunting. You must be a registered user to use the IMDb rating plugin. R.I.P. Sat 3 Oct 2009 19.08 EDT First published on Sat 3 Oct 2009 19.08 EDT. 'Beaches Of Agnes' Fetes An Aging Queen Of Tides John Powers reviews a luminous cinematic memoir by the 81-year-old French director Agnes Varda. Shining through each scene are her impish charm, inventiveness, and natural empathy. On the sad occasion of Agnes Varda's passing at the age of 90 today, we're reposting this spirited and typically inspiring 2009 interview done by Nick Dawson in the lobby of Film Forum when her autobiographical essay film, The Beaches of Agnes, was released here in the States. But all is not limited to the beach, for she frequently heads inland to retrace the steps of her life, visiting key locations along the way.She explores her childhood, when she lived much of the time on a houseboat; her teen years, when she was thoroughly ignorant of what a woman could do in the world and of the realities of man/woman relationships; her experiences during the War and the Occupation, when most French citizens "lived day to day;" her years studying art at the Ecole du Louvre; her first taste of freedom and independence when she stole off one night all on her own to Corsica; her time spent as a fisherman; her burgeoning fascination with photography; her marriage to fellow director and film-making inspiration, Jacques Demy; her role as mother and grandmother; her trips to Cuba and Southern California in the 1960s to capture in photos and on film the turbulent nature of that period; her fervent pro-feminist leanings that often found their way into her movies; and her eventual transition to film-making herself to become the only female figurehead of the French New Wave, an otherwise Young Boys' Club that included, in addition to Demy, Godard, Truffaut, Resnais, and various other cinematic masters.It is here that the movie turns to Varda's career as a filmmaker, as the artist herself discusses her inspirations, her key themes and concerns, and the logistical problems of the movie-making process itself. 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