[19] The Dutch philosopher Otto B. Wiersma (1999) published an article on the internet that he summarizes in these terms: [15] As late as 1982, the two paintings were believed to have shared the same provenance as far back as 1734, but this was disproved by the Rembrandt Research Project. The painting is hand-painted by an experienced artist in MUSEUM QUALITY (80-90% likeness to the original). The RRP did not introduce any new objective or documentary evidence, but based its judgment on an assessment of Rembrandt's "habits," an appraisal of the painting's style, and the difficulty of fitting it within Rembrandt's production in 1632 or the later 1630s. 6 Where the Cartesian dualism however is considered as problematic by later philosophers because of leaving an unabridged gap between spirit and body, 7 there does … On the pre-iconographic level, this is one of the most "graphic" works painted by Rembrandt, in the sense that it contains many straight, curved, circular, and radiating lines: from the lines of the flagstones to those of the window, the bricks, the wainscotting, and of course the staircase. Philosopher in Meditation After moving from his native home of Leyden, artist Van Rijn Rembrandt made his way to Amsterdam where he masterfully created ‘Philosopher in Meditation’ in the year 1632. See All 244 Videos in our Channel. 20" X 24" Oil Painting On Canvas Hand painted oil reproduction of a famous Rembrandt painting, The Philosopher in Meditation. Introduction to the HTML Edition John Veitch Translation of 1901 The painting is created in method of traditional oil painting. The signature is traced in light pigment on a dark background and is quite difficult to make out. Philosopher in Meditation 1632 painting by Rembrandt (Museum: Department of Paintings of the Louvre) The popularity of the painting may be measured by its presence on the internet, where it is often used as an emblem of philosophy, or interpreted along esoteric or occult lines. [3] The presumed subject matter of philosophical meditation, the finely graded chiaroscuro treatment and intricate composition were widely appreciated in France. Similar observations argue against identifying the main figure as an "alchemist," a subject that would allow for other figures, such as an assistant tending a fire. "[L]e marquis d'Argenson fut le premier auteur du regroupement de ces deux panneaux qu'il exposait 'en regard'. While the traditional title Philosopher in Meditation has to a large extent been responsible for the painting's popularity, it is iconographically untenable. In the wording of the fragmentary note: "Le hasard qui les a rassemblé..." Leclair, 2006, 42. 6 of the Corpus under no. Jean-Pierre Dautun "Le Philosophe en méditation de Rembrandt", Tobit and Anna waiting for their son Tobias, Jean-Marie Clarke, "Le Philosophe en méditation du Louvre: un tableau signé 'RHL-van Rijn' et daté '1632,'", "034 (034, 27): To Theo van Gogh. Personalize it with photos & text or purchase as is! This is a part of the Wikipedia article used under the Creative Commons Attribution-Sharealike 3.0 Unported License (CC-BY-SA). [36] Jacques Foucart (1982), Curator for Dutch and Fleming Painting at the Louvre, like Horst Gerson (1968)[37] and Werner Sumowski (1983),[38] attributes this work to Salomon Koninck (1609–1656), a Rembrandt imitator, dating it to around 1645 and titling it Philosopher in Contemplation or Philosopher with an Open Book. And so, for another 3,000 livres the two paintings were reunited in 1762, not to be separated again until 1955. This, he held, was precisely the essence of Rembrandt's art. "[33], The best explanation for the long-standing misinterpretation of the Philosopher in Meditation lies in the fact that, in the second half of the 18th century, it was sold together with a pendant of identical size (28 x 33.5 cm) that presented similar motifs—including a spiral staircase—and that was also attributed to Rembrandt. van Rijn (1606-69) / Louvre, Paris, France / The Bridgeman Art Library 1344693 Item #1344693 Recommended Items The signature was traced with a fine brush in light pigment on a dark background and is quite difficult to make out. [17] In fact, nothing is known of the earlier provenance of the Koninck, or which of the two paintings he acquired first. Painted in oils on an oak panel measuring about 11 x 13 in. (28 x 34 cm), the painting depicts in slightly accelerated perspective two figures in a partially vaulted interior that is dominated by a wooden spiral staircase. “Philosopher in Meditation” Rembrandt, 1632, Musée du Louvre, Paris. The themes of religion and faith were a constant in Rembrandt's work, which has led many to reinterpret "The Philosopher in Meditation" through this lens. Summary mentions of a "Winding stair with a seated old man" in 17th-century inventories could apply to either painting. Painted in oils on an oak panel measuring about 11 x 13 in. Marcus Aurelius wrote the 12 books of the Meditations in Koine Greek as a source for his own guidance and self-improvement. 1630 at the Ashmolean Museum in Oxford (Benesch 64) with the caption "HARMAN GERRITS van der Rhijn" written in Rembrandt's hand that shows his father in a pose similar to that of Tobit here, suggests that he may have been blind at the end of his life. The painting shows none of the conspicuous attributes of scholarship or philosophy: books, globe, scientific instruments, etc. Every detail of the artwork is reproduced to museum quality specifications by … Philosopher in Meditation (Bredius 431) is the traditional title of an oil painting in the Musée du Louvre, Paris, that has long been attributed to the 17th-century Dutch artist Rembrandt. [14] Mohamed is deeply shaken when his oldest son Malik returns home after a long journey with a mysterious new wife. [51] When you buy a Vault W Artwork Philosopher in Meditation by Rembrandt van Rijn - Picture Frame Print on Canvas online from Wayfair, we make it as easy as possible for you to find out when your product will be delivered. Wikipedia. We utilize only the finest oil paints and high quality artist-grade canvas to ensure the most vivid color. Philosopher in Meditation by Rembrandt van Rijn is a 100% hand-painted oil painting reproduction on canvas painted by one of our professional artists. 'things to one's self') is a series of personal writings by Marcus Aurelius, Roman Emperor from AD 161 to 180, recording his private notes to himself and ideas on Stoic philosophy. The chiaroscuro treatment and the presence of many straight lines that are structured by curved lines speaks for an effort at reconciling oppositions. [22] Voyer appears to be the originator of the old man's philosophical vocation, most likely inspired by the companion piece, which he also owned and which clearly shows a scholar in his study. 63. This interpretation appears in the first known source, an auction catalogue from 1738 (see "Subject matter"). As in the staircase and the basketwork tray at the center of the composition, the curved lines can be said to organize the straight lines. This does not mean that the picture was painted in that year or even in Amsterdam, to which Rembrandt had moved in late 1631. Read customer reviews and common Questions and Answers for Vault W Artwork Part #: W003271950 on this page. Jul 15, 1606 - Oct 4, 1669. Today, this former "pendant", titled Philosopher with an open book, is attributed to Salomon Koninck. The "Philosophers" continued their brilliant career in Paris, changing hands every few years: Randon de Boisset in 1772 (14,000 livres), Millon d'Ailly in 1777 (10,900 livres), who then sold it to the comte de Vaudreuil. Leclair,. On the pre-iconographic level, this is one of the most "graphic" works painted by Rembrandt, in the sense that it contains many straight, curved, circular, and radiating lines: from the lines of the flagstones to those of the window, the bricks, the wainscotting, and of course the staircase. [6], The panel is signed "RHL-van Rijn 163_" at the bottom and left of the center, at a vertical from the figure of the old man. Rembrandt oil painting : Philosopher in Meditation Museum quality reproduction of "Philosopher in Meditation". [4] The most conspicuous figure is that of an old man seated at a table in front of a window, his head bowed and his hands folded in his lap. The last digit is a tiny blob of paint, the form and placing of which would tally with a "0," "1" or "2." [34] The companion painting shows an old man in a vaulted interior seated in front of a table at a window on which we can see books, a globe, and a crucifix. The painting was bought by Jacques de Roore, an agent bidding on behalf of Willem Lormier, art collector and dealer in The Hague. Rudolf Steiner, "The History of Art: Rembrandt" (lecture 5), 28 November 1916, Dornach (Eng. Upload media. The panel is signed "RHL-van Rijn 163_" at the bottom and left of the center, at a vertical from the figure of the old man. The painting shows none of the conspicuous attributes of scholarship or philosophy—books, globe, scientific instruments, etc.—and the presence of at least one other figure involved in domestic tasks does not fit in with the solitude associated with study and meditation. Philosopher in Meditation, 1632 van Rijn Rembrandt (1606-1669) Location: Louvre Museum Paris France Original Size: 28 x 34 cm. "[30] Earlier inventory mentions of a "winding stair with an old man sitting on a chair" or "winding stair" attributed to Rembrandt are vague and might even refer to the companion painting long attributed to Rembrandt, but now given to Salomon Koninck. The type of signature—monogram plus patronymic—would argue for 1632, for the artist used this type of signature only in this year. This interpretation is given in an auction catalogue from 1738 (see "Subject matter"), the first source that clearly refers to this painting. Original helio-engraving on vellum paper after Rembrandt. The architecture includes stone, brick and wood, with arched elements (window, vault, doors) that create an impression of monumentality. The French art historian Jean-Marie Clarke[27] argues that the scene is ultimately derived from the Book of Tobit, one of Rembrandt's favorite Old Testament sources. Philosopher in Meditation. Lormier's seal is still on the back of the panel. The French verb "rassembler" is ambiguous and could mean either "brought together" or "brought back together". . I follow the reading of the Rembrandt Database. A discussion of the Philosopher in Meditation along essentially Gurdjeffian lines can be found on the Objective Art website (2011). THE PHILOSOPHER IN … Lormier's wax seal is on the panel by Rembrandt, but not on the pendant, whose provenance remains unknown. Tones become monochromatic, the narrative loses some of its emphasis and theatricality to become more sober. 1910. (28 x 34 cm), the painting depicts in slightly accelerated perspective two figures in a partially vaulted interior that is dominated by a wooden spiral staircase. [55] More recently, Clarke published an interpretation on the internet that relates Rembrandt's composition to the design of his signature in 1632. Philosopher in Meditation by Rembrandt In a lecture given at the Goetheanum in Dornach (1916), the ex-theosophist and founder of the Anthroposophical Society, Rudolf Steiner, described the Louvre Philosopher as the “purest expression of light and dark… Meditations on First Philosophy, in which the existence of God and the immortality of the soul are demonstrated (Latin: Meditationes de Prima Philosophia, in qua Dei existentia et animæ immortalitas demonstratur) is a philosophical treatise by René Descartes first published in Latin in 1641. [12] On 27 June 1748, Lormier sold the painting for Dfl. Rembrandt van Rijn was an innovative and prolific master draughtsman, painter, and printmaker. [54] Accordingly, the figure of the blind old man (Tobit) would stand for Rembrandt's father (d. 1630), who opposed his son's wish to become an artist and whose vision the young Rembrandt (Tobias) "healed" with the help of the archangel Raphael ("God heals", a name that also symbolizes Art). Assuming that it was the Rembrandt, Anne Leclair notes that: "At an unknown date, Voyer acquired a second 'Philosopher" that he deemed close enough in style and format to make it a pendant". The first figure is that of an old man seated at a table in front of a window, his head bowed and his hands folded in his lap. He is... “Philosopher in Meditation” by Rembrandt. It is signed "RHL-van Rijn" and dated 1632, at the time of Rembrandt's move from Leiden to Amsterdam. The Galerie Napoléon is pleased to propose to you this heliogravure printed 111 years ago (in 1910). Paris, Monday, 31 May 1875. The paintings were exhibited together and titled interchangeably Philosophe en méditation and Philosophe en contemplation, or referred to simply as the Philosophes. As it is, the overall painting is quite dark due to the aging of the varnish. [18] In notes on his "pendants" set down around 1750, Voyer pointed out that "chance brought them together". [29] This is supported by an 18th-century source identifying a Rembrandt painting of exactly the same format representing a "Composition with Tobit and a winding stair. Use only Eco-friendly and artist-grade oil … I don't really care for either of those scents on their own, but I love the wet scent of this blend. In the fifth volume of the Corpus (2011), which covers "small history paintings," the painting is classified without further ado as a "re-attribution" by the current director of the RRP, Ernst van de Wetering. 20" x 25" premium canvas print of Philosopher in Meditation by Rembrandt Van Rijn is meticulously created on artist grade canvas utilizing ultra-precision print technology and fade-resistant archival inks. See Clarke, 1990, figs. Although the actual artist is debatable, it is probably Rembrandt (Wikipedia). See the page of Lormier's handwritten list reproduced in Everhard Korthals Altes, 2001, p. 289, which does not clearly indicate the year. Philosopher in Meditation - Rembrandt Harmenszoon van Rijn was a Dutch painter and etcher. Although he waxed enthusiastic about these prized possessions, calling them "unique", by 1752, he had already sold them to his friend, Claude-Alexandre de Villeneuve, comte de Vence. [2] Recent scholarship suggests that the painting depicts "Tobit and Anna waiting for their son Tobias" instead. [41] The traditional iconography of the Doctors of the Church and St. Jerome in particular provided the attributes for 17th-century representations of scholars in their study. The second figure is that of an old woman tending a fire in an open hearth. The painting is mentioned in the writings of many 19th- and 20th-century literary figures, including George Sand, Théophile Gautier, Jules Michelet, Marcel Proust, Paul Valéry, Gaston Bachelard, Paul Claudel, and Aldous Huxley. The catalogue gives the exact measurements of the panel and the description: Een Ordonnantie met Tobias, ende eenen drayenden Trap, door Rimbrant (A Composition with Tobit, and a Winding Stair, by Rembrandt). used for creating the illusion of reality", "Het is een kunst om te lezen: de dubbelzinnigheid van spiegelbeelden bij Rembrandt en Salomon Koninck", http://objectiveandsacredart.ning.com/forum/topics/the-philosopher-in-meditation, Bust of a Man Wearing a Gorget and Plumed Beret, Diana Bathing with her Nymphs with Actaeon and Callisto, Pendant portraits of Maerten Soolmans and Oopjen Coppit, The Archangel Raphael Leaving Tobias' Family, Ahasuerus and Haman at the Feast of Esther, Self-Portrait Wearing a White Feathered Bonnet, Self-Portrait in a Black Beret and Gold Chain, Self-Portrait with Beret and Turned-Up Collar, https://en.wikipedia.org/w/index.php?title=Philosopher_in_Meditation&oldid=1006020367, Paintings of the Louvre by Dutch, Flemish and German artists, Wikipedia articles with Joconde identifiers, Wikipedia articles with RKDID identifiers, Creative Commons Attribution-ShareAlike License, This page was last edited on 10 February 2021, at 16:37. [5] As it is, the overall lighting is warm and quite subdued owing to the yellowing of the varnish. Philosopher in Meditation - In the vial, this smells like wine and wood smoke. The caption to an illustration of the painting (reversed) in the psychoanalyst C. G. Jung's Man and His Symbols (1964) reads: "The inward-looking old man provides an image of Jung's belief that each of us must explore his own unconscious. [25] The culmination came when the two were acquired for the collection of Louis XVI in 1784 (13,000 livres) and given the honors of the Louvre Palace. ), Joseph L. Henderson, Marie-Louise von Franz, Aniela Jaffé and Jolande Jacobi. Meditations (Medieval Greek: Τὰ εἰς ἑαυτόν, romanized: Ta eis he'auton, lit. Rembrandt van Rijn. [35] In 1955, examinations with X-rays and infrared photography at the laboratory of the Louvre revealed notable differences in treatment and caused this attribution to be dropped. A summary of Part X (Section2) in René Descartes's Meditations on First Philosophy. Philosopher in Meditation, 1632 by Rembrandt van Rijn canvas art arrives ready to hang, with hanging accessories included and no additional framing required. Korthals Altes, 2001, 259, note 32, which lists the sale catalogues known to have belonged to Lormier. Obsessive, unclear, unwanted, and destructive thought continually invades our minds causing fear, anxiety, indecision, anger, and depression. As it was, he showed only a "lantern slide" of the companion painting by Salomon Koninck discussed above. The ongoing popularity of the painting may be measured by its presence on the internet, where it is often used as an emblem of philosophy, or interpreted along esoteric or occult lines. The last digit is a tiny blob of paint, the form and placing of which would tally with a "0," "1" or "2. Like Julius Held,[53] Clarke believes that the drawing dated ca. [23] At the sale of the comte de Vence's collection in 1761, the Philosophe en méditation (Koninck) was purchased for 2,999 livres by a relative of the deceased, the marquis de Vence, who turned around and sold it to the duc de Choiseul, then Secretary of State for the Marine and War. Quite difficult to make out scientific instruments, etc the pendant, whose provenance remains unknown Anthroposophical of! 12 ] on 27 June 1748, Lormier sold the painting 's,! Known provenance explains how a Dutch scene of biblical domesticity could be turned into a image! Quite subdued owing to the HTML Edition John Veitch Translation of 1901 Rembrandt van Rijn was a Dutch and. Oct 4, 1669 as it is, the narrative loses some of its emphasis and theatricality become. Or not—were not an attribute of philosophy in the vial, this former `` pendant '', titled Philosopher an! Window, hearth, door, table, book and spiral staircase, 1669 claims that Voyer already owned Koninck! 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