It’s real. Being a 20-something queer living in Sydney is… something else, I guess. But if you want to jump to the chat about the mashup jump to minute 48. https://brokenrecordpodcast.com/#/episode-34-robbie-robertson/, Your email address will not be published. It brings out the best of both artist..Richter has reached back into another era and Gave us a beautiful rendition to a timeless and most beautifull song. "This Bitter Earth" explores the quiet revolutions of normalcy, reminding us of the intractable bind between the personal and political and the strength of love in today’s turbulent world. In This Bitter Earth , Sugar Lacey is on her way out of Bigelow, Arkansas, where she’d come to break with the past. Deep inside of tech week, Chris and Riley took some time to ask each other the tough questions in an unvarnished insight into the collaborative process between writer and director. Please ensure you arrive at the venue at least 20 minutes early to avoid queues and delays. This Bitter Earth beautifully encapsulates the hard conversations and experiences all interracial couples are having these days. At the request of @BlackSea4ever I have changed the video because this song made part of the colleccion Song and movement relationship if you're not agree with my decision no problem I … That expansive sense of legacy and struggle gives an epic scope to this compact, powerful story about two men and the complicated love they share.” --Jay Gabler, CityPagesFull Review: http://www.citypages.com/arts/two-lovers-try-to-make-peace-in-a-time-of-hate-in-penumbras-this-bitter-earth/481403101, “This Bitter Earth is an absolute must-see... On all levels, from relevance to creativity and impact, This Bitter Earth is the play we need now. This Bitter Earth is a pas de deux from Christopher Wheeldon’s Five Movements, Three Repeats. Check out This Bitter Earth/On The Nature Of Daylight by Dinah Washington / Max Richter on Amazon Music. Ed Decker, Reading, The Playwrights' Center, Minneapolis, 2016: dir. Gathering of Waters is a deeply engrossing tale narrated by the town of Money, Mississippi - a site both significant and infamous in our collective story as a nation. Gladys Maria Knight (born May 28, 1944 in Atlanta, Georgia) is a legendary American R&B/soul singer and actress. Comment document.getElementById("comment").setAttribute( "id", "afb44d7ed004d1cb19b77346f8c3bf3e" );document.getElementById("g913d97b16").setAttribute( "id", "comment" ); Spellbinding Music is a blog which curates contemporary, modern classical, roots, electronic, jazz and folk music…and everything in between. Collections with "This Bitter Earth" 1. By continuing to browse the site you are agreeing to our use of cookies. With Sahara Ware, Nichelle Nichols, Billy Dee Williams, Richard Roundtree. Refunds will not be issued to latecomers. As a fan of Dinah Washington I have listened to this interpretation of her music from Shutter Island and find that whoever did this took a GREAT song/singer and ruined it. Heaven only knows. This Bitter Earth looks at how we fight, bitch, love, confront despair and try to connect, all through the mess and the muck and the might of everyday queer existence. It is heartbreakingly painful to watch but it is also searingly honest, and I really appreciate Harrison David Rivers' unflinching approach and willingness to invite everyone in to help them truly understand how much this problem matters... a gem.” --Becki Iverson, compendiumFull Review: https://compendiummpls.blogspot.com/p/about.html, "This Bitter Earth at Penumbra Theatre proves that Twin Cities playwright Harrison David Rivers is the real deal..." --Chris Hewitt, The Star TribuneFull Review: http://www.startribune.com/witty-interracial-drama-is-another-winner-from-st-paul-playwright/481278201/, "A work of uncommon depth, nuance, and emotional impact." You also have the option to opt-out of these cookies. What good is love, love? Saffronkeira with Paolo Fresu: In Origine: The Field of Repentance, Paolo Fresu & Daniele Di Bonaventura: Altissima Luce, Eoghan Ó Ceannabháin & Ultan O’Brien: Solas an Lae, Dezron Douglas & Brandee Younger: Force Majeure, Sly & Robbie meet Nils Petter Molvær: Nordub. Theater Alliance, Washington, D.C., 2020: dir. In talking about the things which divide us, we just might heal the wounds and come together." Can’t believe I’ve gone so long without this in my life. Jesse, an introspective black playwright, finds his choices called into question when his boyfriend, Neil, a white Black Lives Matter activist, calls him out for his political apathy. This mashup is more like a contemporary revitalization which brought a more culturally-appealling product of two parent pieces to a modern audience, and in the way that audience would most appreciate it, which brings praise and attention to both original works involved. If you want to hear how Robbie Robertson put this mashup together check out his chat with legendary producer Rick Rubin on the Broken Record Podcast. Great Collaboration between the artist and composer! Written and produced by Clyde Otis, it peaked to #1 on the U.S. R&B charts for the week of July 25, 1960, and also reached #24 on the U.S. pop charts. It’s a play for today. But now, as his white lover, a Black Lives Matter activist, immerses himself in the struggle, Jesse, a black man, must confront his own political apathy or risk his rights and their love. In This Bitter Earth , Sugar Lacey is on her way out of Bigelow, Arkansas, where she’d come to break with the past. Johannsson did write music for the opening and ending of Arrival, but director Denis Villeneuve decided to go with Richter’s “This Bitter Earth” — a choice Johannsson fully supported. But more than portray it, Rivers' work analyzes it, with key details of meeting the others' families, and thoughtful considerations about why black men grow up so tough, ‘because maybe gentle gets you killed.’”–Roger Catlin, Broadway World, Washington, D.C.Full review: https://www.broadwayworld.com/washington-dc/article/BWW-Review-THIS-BITTER-EARTH-at-Theater-Alliance-20200302, “A racial reversal that easily could come off as gimmicky instead reads as sincere from both sides. He’s written dialogue that’s very natural and completely honest… important and relevant. I don’t know how you can classify this other than an interpretation of something that the person DID NOT understand what it meant other than something he had heard and thought it sounded good. This play is important. This Bitter Earth is a 1960 song made famous by rhythm and blues singer Dinah Washington. This bitter earth Well, what a fruit it bears What good is love Mm, mm, that no one shares? Dinah Washington’s “This bitter earth” was originally released in 1960 while “On the nature of daylight”, a minimalist piece by post-classical composer Max Richter (b. None of the music for the film’s soundtrack was actually composed for the film but it was (expertly) curated by musician and long-time collaborator Robbie Robertson, whom Martin Scorsese originally met on the set of The Last Waltz in 1976. What insight to combine them… a stroke of genius, and wonderfully executed, The combination of Dinah Washington and Max Richter is brilliant . Stream ad-free or purchase CD's and MP3s now on Amazon.com. This bitter earth Well, what fruit it bears? Any cookies that may not be particularly necessary for the website to function and is used specifically to collect user personal data via analytics, ads, other embedded contents are termed as non-necessary cookies. Preview, buy, and download songs from the album Arrival, including "Teresa," "Upside Down," "This Bitter Earth," and many more. Written and produced by Clyde Otis, it peaked to #1 on the U.S. R&B charts for the week of July 25, 1960, and also reached #24 on the U.S. pop charts. Thank you. Thanks. It is mandatory to procure user consent prior to running these cookies on your website. Out of these, the cookies that are categorized as necessary are stored on your browser as they are essential for the working of basic functionalities of the website. I and many others adore the modern interpretation, and some more so than the originals alone. JESSE"In the dream I was at a partyIn a penthouse somewhereAnd everyone was black.From the darkest night to caramel to white chocolateEvery shade and hue.Size and shapeThe variety!The hair!And EVERYONE was in costume!Lorraine was dressed as Josephine Baker.Ralph Ellison as Alex Haley.Even LangstonBeautiful, elusive ephemeral Langston was present and accounted for and dressed asGregory Hines!Queen Latifah was there dressed as you know whoAnd JimmyDear Jimmy BaldwinWho I've always had a little crush on, but could never seem to work up the nerve to ask out forcoffee, was thereHolding court in the entrywayAlthea Gibson was thereAnd Ossie Davis and Ruby DeeAlvin Ailey was two-stepping with Maya AngelouLouie and Marian were trading scatsBasquiat and Romare were talking techniqueAnd Zora was taking drink orders!Everyone was living!Everyone was fabulous!". Mikael Burke, Penumbra Theatre, St. Paul, 2018: dir. Its beauty and profound sadness transcend the work of either artist. The latter appears twice in Shutter Island: once in its original version and then remixed with “This Bitter Earth”‘s vocal track. Summary: The Winchesters and the FBI's Behavioral Analysis Unit investigate the same case, a series of mysterious deaths on the grounds of a South Carolina plantation. I only heard this song after I had immediately watched Shutter Island. A teen piano prodigy suddenly quits the keyboard after personal tragedy strikes at home. The works of two artists from different eras and genres work together seamlessly to create a wonderful, an amazing, song. Talvin Wilks, World Premiere, New Conservatory Theatre Center, San Francisco, 2017: dir. As passions and priorities collide, this couple is forced to reckon with issues of race, class and the bravery it takes to love out loud. The piece is also an interpretation of a Max Richter’s song and as a “mashup” exercise, I believe it pays a lot of respect to both songs. And if my life is like the dust Ooh, that hides the glow of a rose What good am I? March 22nd, 2020. Your email address will not be published. … Jesse and Neil’s romance proceeds in elegantly nonlinear fashion. The entire interview is fantastic. [Bbm Fm Gb Ab Db Eb Bb] Chords for Dinah Washington - This Bitter Earth with song key, BPM, capo transposer, play along with guitar, piano, ukulele & mandolin. The Blue Notebooks is the second album by British producer and composer Max Richter, released on 26 February 2004 on 130701, an imprint of FatCat Records.. On 11 May 2018, a two-disc version of The Blue Notebooks was reissued by Deutsche Grammophon to commemorate its fifteenth anniversary. February 22nd, 2020. Notes: Also available as a podfic, read by waiting4rain42. I first heard this masterpiece last night. Would you happen to know who the owners are? But opting out of some of these cookies may affect your browsing experience. Rivers’ clever script pokes fun at Neil’s supposed white guilt, and Jesse’s apparent apathy, but represents neither as mere stereotype. That no one shares. This Bitter Earth by Harrison David Rivers A protest brought them together. It’s vicious, it’s tender, it hates being touched but it kinda needs a hug. Bestselling author Bernice L. McFadden returns with a novel that continues the story of Sugar Lacey, the unforgettable heroine of McFadden's critically acclaimed debut novel.. Directed by David Lee Rawlings. The lyrics simply do not go with the music. This Bitter Earth art_savage. Filed Under: Contemporary, Modern Classical, OST Tagged With: cinema, Dinah Washington, Max Richter, remix, songwriting. Song and movement relationship: Comments. In this case, it brought Dinah Washington’s music out of obscurity to an entirely new generation of listeners and brought composer Max Richter much-due praise and acknowledgment. Never miss a post and subscribe to Spellbinding Music via email. As an African American child of the 50s our home was full of the bluesy angst of Bessie,Billy,Dinah, Etta, Big Mama and many others. These cookies will be stored in your browser only with your consent. Robbie Robertson supervised the entire soundtrack for the movie and created the Dinah Washington/Max Richter mashup – I would try to contact him first. Hopefully this has helped you to understand why the marriage of classical and contemporary (or any) pieces of art is no replacement of the first, or subversion of the original sentiment, but rather can do wonders to magnify and multiply that sentiment and garner modern recognition as well. 1hr 30min (No Intermission) Start Date. This Bitter Earth . "This Bitter Earth" is a 1960 song made famous by rhythm and blues singer Dinah Washington. Watch the video for This Bitter Earth from Aretha Franklin's JAZZ TO SOUL for free, and see the artwork, lyrics and similar artists. Run Time. This website uses cookies to improve your experience. Robbie Robertson’s mashup of her vocal track with Max Richter’s On the Nature of Daylight is astonishing. Money is personified in this haunting story, which chronicles its troubled history following the arrival of the Hilson and Bryant families. I cried many times listening to it! 11 – 27 July 2019 “I’m just saying, a little lube goes a long way” Being a 20-something queer is hard. This Bitter Earth is a LOCKOUT performance. As much as I like Dinah Washington, her version (and other versions) of This Bitter Earth doesn’t make sense. This Bitter Earth picks up where Sugar left off: on the dirt road leading to Sugar's childhood home in … In This Bitter Earth, Sugar Lacey is on her way out of Bigelow, Arkansas, where she'd come to break with the past.With her worn leopard-print suitcase and her head held high, she walks past the prying eyes of its small-minded, cruel-hearted townsfolk, praying for the strength to keep going. The full work was originally created for Fang-Yi Sheu & Artists, a group led by former Martha Graham Dance Company star Fang-Yi Sheu that included NYCB dancers Wendy Whelan, Tyler Angle, and Craig Hall. A mashup is never intended to replace the original. This bitter earth Well, what the fruit it bears Ooooh This bitter earth And if my life Is like the dust Oooh that hides The glow of a rose What good am I? Any exposure these artists gain today is relished by true lovers of great music and artists. Artists experiencing hardship (be it racism, depression, alcoholism, drug abuse, poverty) has resulted in some of the greatest works, I like Max version but I also like the simplicity of the original. --David Elijah Nahmod, brokeassstuart.comFull Review: http://brokeassstuart.com/sf/2017/10/04/this-bitter-earth-new-play-grapples-with-love-race-black-lives-matter/, https://www.chicagotribune.com/entertainment/theater/reviews/ct-ent-bitter-earth-review-1110-story.html, https://www.lavendermagazine.com/featured-home-page/two-remarkable-new-works-on-local-stages-by-harrison-david-rivers/, http://www.citypages.com/arts/two-lovers-try-to-make-peace-in-a-time-of-hate-in-penumbras-this-bitter-earth/481403101, http://www.mntheaterlove.com/2018/05/this-bitter-earth-at-penumbra-theatre.html?spref=fb, http://www.startribune.com/witty-interracial-drama-is-another-winner-from-st-paul-playwright/481278201/, http://brokeassstuart.com/sf/2017/10/04/this-bitter-earth-new-play-grapples-with-love-race-black-lives-matter. Buy the album for $9.99. With her worn leopard-print suitcase and her head held high, she walks past the prying eyes of its small-minded, cruel-hearted townsfolk, praying for the strength to keep going.… Required fields are marked *. With her worn leopard-print suitcase and her head held high, she walks past the prying eyes of its small-minded, cruel-hearted townsfolk, praying for the strength to keep going.… Go see it.” --Kelsey McGrath, PerformInk, November 15, 2018Full Review: http://perform.ink/review-this-bitter-earth-at-about-face-theatre/, “A play full of profound moments and timely questions… an intense, analytical journey to the intersection of race and politics”—Chris Jones, Chicago Tribune, November 9, 2018Full review: https://www.chicagotribune.com/entertainment/theater/reviews/ct-ent-bitter-earth-review-1110-story.html, “Compassionate and devastating Chicago premiere… equal parts searing and touching, gut-wrenching and romantic… challenges the complacency of even the most supposedly ‘woke’ of audience members… This Bitter Earth is a must-see in 2018.”—Lauren Emily Whelan, Chicago Theater Beat, November 9, 2018Full Review: http://chicagotheaterbeat.com/2018/11/09/this-bitter-earth-review-about-face-theatre/, “Harrison David Rivers’ characters are drawn from life so that they feel real. The play is also rich with references to their cultural lodestars, such as the poetry of Essex Hemphill, the work of artist Jean-Michel Basquiat, and the Clyde Otis song that inspired the play’s title. ... [Continue Reading], Copyright © 2021 Spellbinding Music | Website by Pagecrafted. This website uses cookies to improve your experience while you navigate through the website. This Bitter Earth beautifully encapsulates the hard conversations and experiences all interracial couples are having these days. This bitter earth What fluted passed What good is love That no one wants to share And if my life is like the dust That haunts the rose Tell me what good am I Heaven only knows Well I found it can be so cold Today oh And before you know it Too soon you've grown old But while a voice within me cries Someone may answer my call And this bitter earth To say that either original work was ‘ruined’ by the combination of two separate pieces is quite incognizant. 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