Presence- 5-7 Tom Morello of Audioslave/Rage Against the Machine Gain - 7 Treble - 10 Mid - 4 Bass - 4 Reverb - 0 Eric Clapton of Eric Clapton Gain - 7 Teble - 5 Mid - 7 Bass - 7 Presence - 8 Mick Thompson of Slipknot Gain - 9-10 Treble - 8 Mid - 7 Bass - 8 Reverb - 2 Note tuning of B F B E Gsharp Csharp (low to high) Jimmy Page of Led Zeppelin Gain - 4 Treble - 8 Mid - 3 Bass - 7 Reverb - 2 Kurt Cobain of Nirvana Gain - 7 Treble - 7 Mid - 4 Bass - 3 Reverb - 2 Eddie Van Halen of Van Halen Gain - 6 Treble - 4 Mid - 3 Bass- 9 Reverb - 4 John Frusciante of Red Hot Chili Peppers Gain - 4 Treble - 8 Mid - 2 Bass - 6 Reverb - 7 Kirk Hammet of Metallica Gain - 7 Treble - 7 Mid - 2 Bass - 7 Reverb - 2 Keith Richards of Rolling Stones Gain - 4.5 Treble - 4.5 Mid - 6.5 Bass - 5.5 Reverb - 1.5 Note use of open G tuning, D G D G B D (low to high) The Edge of U2 Gain - 1.5 Treble - 7 Mid - 5 Bass - 3 Reverb - 8.5 Brian May of Queen Gain - 8.5 Treble - 4 Mid - 9 Bass - 5.5 Reverb - 4 Note Brian famously uses old sixpences to pick the strings of his guitar. High- 5-7 Post Gain- 7-10. If you are not contented with your MXR Ten Band EQ, check out its wicked twin—the Kerry King Ten Band EQ. KK uses the EQ infront of the amp for boosting the mids basically. Jim Marshall and Kerry King signature decals adorn the front panel . Kerry King's Rig. The M300 features decay and mix controls giving you maximum control over your sound. KFK1 tnttnttnt, August 4, 2006 in Effects and Processors. The amp itself is a modified Marshall JCM 800 with KT88 power tubes instead of the EL34 tubes you’d typically find in a JCM 800, plus an optional EQ boost and gate circuit. 8.5/10 Durability . Saul. This site uses cookies to improve your experience. With the MXR M108S Ten Band EQ the American effects company presents a graphical 10-band equalizer, which turns out to be a versatile sound tool on the pedalboard of guitarists and bassists. Pasted as rich text. From there, he used a Boss 10-Band EQ with the sliders set in an upside-down “V” shape, boosting the mids rather than scooping them as is common in metal. With the MXR M108S Ten Band EQ the American effects company presents a graphical 10-band equalizer, which turns out to be a versatile sound tool on the pedalboard of guitarists and bassists. Your link has been automatically embedded. Display as a link instead, × 8 Justin Hawkins of The Darkness bass- 6 treble-8 mid-8 gain-7 reverb-5 Dimebag Darrel of Pantera Gain - 7 Treble - 10 Mid - 4 Bass - 9 Reverb ? 1 decade ago. The Beast, meanwhile is an exact recreation of Kerry King’s model, down to the KT88 power tubes and hand-wired circuit. If you love the sound of a cranked Marshall tube amp, but don’t like the noise complaints from your neighbors that come along with it, Softube may have you covered. Other signature B.C. Since all of the volume of a guitar is in the mids, by boosting them you get a fuller, rounder sound. I read a Kerry King interview where he complained everybody scooped the mids. dialing in the right mix of EQ and gain with the sliders and gain boost, was very easy, and only took a minute to get a good sound. What he has said in interviews is that he boosts his mids, where other guitarists might scoop them. :3 or 4 Bass:7 Presence:6 Mike McCready of Pearl Jam Treble: 7 Mid: 7 Low: 5 Daron Malakian of System of a Down Amp Used: Crate VFX5212 Gain: 8 Treble: 6-7 Mids: 3-5 Bass: 10 Presence: 8 Note the use of Drop D down 1/2 step (Db Ab Db Gb Bb Eb) Tony Iommi of Black Sabbath Gain - 7 or 8 Bass - 6 Middle - 6 Treble - 6 Channel - Overdrive Mick Mars of Motley Crue Gain - 3 Bass - 2-3 Contour - 2-3 Treble - 10 Channel - Overdrive Steve Jones of Sex Pistols Gain- 7 Volume- 10 Treble- 8.5 Middle- 6 Bass- 4 Alex Laiho of Children of Bodom Treble: 9 Mid: 4 Bass: 7 Gain: 8 Reverb: 4 (on guitar) Tone: 10 Pickup: Bridge David Gilmour of Pink Floyd Bass: 10 Middle: 6.5 Treble: 10 Gain: 1.5 or Gain-2-3 Treble- 7-8 Mids- 9-10 Bass- 5-6 Reverb- 60-70% Carlos Santana of Carlos Santana gain 7 treble 10 mid 6 bass 5 reverb 2 Jerry Cantrell of Alice in Chains Gain 6-7 Treble 6-7 Mids 5-6 Bass 5-6 Reverb 3 Joe Perry of Aerosmith Gain: 5.5 Treble: 2 Mid: 7 Bass: 2 Volume: Full (used Fenders in the early days and switched to music Man during the Toys era, now uses a mixture) Pete Willis of Def Leppard Gain- 4 Bass-4 Mid- 5 Treble-7 Reverb-4 Billy Gibbons of ZZ Top Treble: 3 Middle: 10 Bass: 10 Prescense: 10 Gain: about 5 (crunchy type of sound) Use a Les Paul guitar with not to much output in the pups and select both! Note: Your post will require moderator approval before it will be visible. Shure UHF Wireless System (connected to the Radial JX44 Air Control which splits the signal to the … (Dunlop released Kerry King signature model named Kerry King Q Zone KFK-QZ1) Rest of the pedals: MXR 10 Band EQ Pedal (his main effect) Boss GE-7 Graphic EQ. ... King has dubbed his main 2203 'The Beast' and Marshall took scrupulous readings from both the amp and King's own EQ pedal to ensure the new head could recreate the tone on demand. This pedal can be powered by the included ECB004 18-volt adapter or the DC Brick™, Iso-Brick™ and Mini Iso-Brick™ power supplies. i really appreciate your answer. ... Softube says. Favorite Answer. MXR KFK-1 Kerry King 10-Band EQ If MXR's M-108 10-Band EQ isn't heavy enough for you, check out its evil twin, the Kerry King 10-Band. Description *LEGACY PRODUCT / NO LONGER IN PRODUCTION . If you have an account, sign in now to post with your account. An on/ off switch named “the Beast” activates both of these features, which live in front of the 2203KK’s preamp. This one's easy. Volume: 5-8 (have it boost the volume of the amp a little), -Overdrive/Distortion(Metal>Heavy Metal Preset), -Overdrive/Distortion Drive and Level set to 100, -Pedal Assign: Exp Pedal ON, Foot vol min 0, -Overdrive/Distortion TYPE: Metal>Heavy Metal(type variation), -Overdrive/Distortion Drive and Level: 100, -MAKE SURE YOU USE RHYTHM PICKUP FOR THIS DISTORTION, This is interesting, but what pre-amp, power-amp, cab should I choose? The six reverb settings included in this FX pedal are hand-pick and meticulously crated by MXR to deliver rich high-end reverb styles. Note Brian famously uses old sixpences to pick the strings of his guitar. I got my overdrive by pushing the volume till 10 combined with the right EQ settings. MXR Smart Gate Pro. King has said that he sets his amp tone controls as such: Bass between 4-6, Mids around 8, Treble around 6-7, and Presence around 7. Anyone has this, please? This beastly, tattoo-covered unit gives you tone and level control identical to the M108, but the Kerry King is capable of punishing two amps simultaneously, credits to its dual outputs. “You’ll love the … He also uses the EQ unit as a boost of around 4dB. yeh...good question...but too good (just in case) not to post Denis....so cant answer your question. the gain and level? Designed in collaboration with the iconic Slayer guitarist, you can use it to produce thrash approved, scooped-mid … Eye-catching tribal graphics blaze from the front panel and baffle. Gain 7 Treble 6 Mid 10 Bass 6 Reverb 1 2.) Even though I havent used the KK, from what I have heard about it, I think the 2203 is probably going to be a little more versatile than the KK. Buckethead of Buckethead Bass: 5-6 Mids: 5-7 Treble: 7-8 Presence: 6 Boost clean channel with an OD Tone: 5-6 Volume: 5-8 (have it boost the volume of the amp a little) Distortion: 0 Randy Rhoads of Ozzy Osbourne Gain 7 Bass 7 Mids 7 Treble 10 Reverb 0 Stevie Ray Vaughan of Stevie Ray Vaughan Low 10 (full) Mid 7.5 High 5 Steve Vai Clean: Treble: 8 Mid: 5 Bass: 4 Lead: Presence: 6 Treble: 6 Mid: 7 Bass: 7 Gain: 8 Kerry King of Slayer Gain - 9-10 Treble - 10 Mid - 4 Bass - 6-7 Reverb – 3 Opeth Amp EQ settings: Mids: 4:30 o' clock High:10:30 o'clock Low: 7 (barely above 0) Presence: 0 Resonance: 8(barely above 0) Drapery Falls Intro Tone(for Boss GT-6): Only things that are on are: -Reverb(set to 75) -Overdrive/Distortion(Metal>Heavy Metal Preset) -Overdrive/Distortion Drive and Level set to 100 -Equalizer: Low EQ +1 dB Lo-Mid f 500Hz Lo-Mid Q 2 Lo-Mid EQ +2 dB Hi-Mid f 4.00 kHz Hi-Mid Q 2 Hi-Mid EQ +2 dB High EQ +2 dB Level +2 dB -Pedal Assign: Exp Pedal ON, Foot vol min 0 Opeth Distortion: Only things switched on are: -Overdrive/Distortion TYPE: Metal>Heavy Metal(type variation) -Overdrive/Distortion Drive and Level: 100 -Reverb: 25 -Pedal Assign: Exp Pedal ON, Foot vol min 0 -MAKE SURE YOU USE RHYTHM PICKUP FOR THIS DISTORTION Graham Coxon of Blur Gain 7 Treble 7 Mid 6 Bass 5 Reverb 0 Rush Gain - 6 Bass - 8 Mid - 6 Treble – 4 Neil Young Bass: 5 Middle: 10 Treble: 10 Presence: 10 Gain: 5 Jimi Hendrix of Jimi Hendrix Experience Gain - 4 Treble - 5 Mid - 5 Bass - 8 Reverb - 5 Joe Satriani 1.) ... MXR® KERRY KING TEN BAND EQ. Jack White of The White Stripes Gain - 8 Treble - 7 Mid - 5 Bass - 8 Prescence - 8 Slash of Guns N' Roses Gain - 6.5 Treble - 4.5 Mid - 7 Bass - 7 Presence ? The 3-band EQ gives you plenty of control, but the base tone of this amp is patterned after the reverse-shape EQ setting used by Kerry himself! The MXR KFK-1 Kerry King Ten Band Equalizer was designed in conjunction with the legendary Slayer guitarist. Lv 7. Your previous content has been restored. lespaul339, Apr 5, 2011 The KK is supposed to have Kerry's EQ settings, so that might be more of a metal only type amp. Use your brigde humbucker - I find this tone to be excellent for Maiden - The Trooper, Hallowed especially, Coutour at 3-4 not so high to suck the mids but not os low to sound crappy, Note the use of Drop D down 1/2 step (Db Ab Db Gb Bb Eb), Volume: Full (used Fenders in the early days and switched to music Man during the Toys era, now uses a mixture). 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